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Bob Marley - B Is For Bob (2009)
from: 05/07/2009
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24503
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22:04:45
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CannaPower
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mp3
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Bob_Marley-B_Is_For_Bob-(Advance)-2009-RVP [img(width=316 height=60)]links/images/splogo.jpg[/img]
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+----------------------------------------------------------------------------+ | | | Artist : Bob Marley | | Album : B Is For Bob | | Bitrate : VBR kbps | | Label : Tuff Gong | | Year : 2009 | | Genre : Reggae | | Rip date : May-06-2009 | | Store date : Jun-23-2009 | | Size : 63,7 MB | | | +--------------------------------[Track List]--------------------------------+ | | |Track Listing: | | | | 01 - Three Little Birds (B Is Version) 03:21 | | 02 - Redemption Song (B Is Mix) 03:48 | | 03 - Wake Up And Live Part 1 04:26 | | 04 - Bend Down Low (B Is Version) 03:34 | | 05 - Lively Up Yourself 05:12 | | 06 - Jamming (B Is Version) 04:27 | | 07 - Small Axe (B Is Version) 04:23 | | 08 - One Love People Get Ready 02:55 | | 09 - Satisfy My Soul (B Is Mix) 04:31 | | 10 - Could You Be Loved 03:58 | | 11 - Stir It Up (B Is Version) 02:56 | | 12 - High Tide Or Low Tide (B Is Mix) 04:42 | | | | | | 48:13 min | | | +----------------------------------[Notes]-----------------------------------+ | | | Reggae's most transcendent and iconic figure, Bob Marley was the first | | Jamaican artist to achieve international superstardom, in the process | | introducing the music of his native island nation to the far-flung | | corners of the globe. Marley's music gave voice to the day-to-day | | struggles of the Jamaican experience, vividly capturing not only the | | plight of the country's impoverished and oppressed but also the devout | | spirituality that remains their source of strength. His songs of faith, | | devotion, and revolution created a legacy that continues to live on not | | only through the music of his extended family but also through | | generations of artists the world over touched by his genius. | | | | Robert Nesta Marley was born February 6, 1945, in rural St. Ann's | | Parish, Jamaica; the son of a middle-aged white father and teenaged | | black mother, he left home at 14 to pursue a music career in Kingston, | | becoming a pupil of local singer and devout Rastafarian Joe Higgs. He | | cut his first single, "Judge Not," in 1962 for Leslie Kong, severing | | ties with the famed producer soon after over a monetary dispute. In 1963 | | Marley teamed with fellow singers Peter Tosh, Bunny Livingston, Junior | | Braithwaite, Beverly Kelso, and Cherry Smith to form the vocal group the | | Teenagers; later rechristened the Wailing Rudeboys and later simply the | | Wailers, they signed on with producer Coxsone Dodd's legendary Studio | | One and recorded their debut, "I'm Still Waiting." When Braithwaite and | | Smith exited the Wailers, Marley assumed lead vocal duties, and in early | | 1964 the group's follow-up, "Simmer Down," topped the Jamaican charts. A | | series of singles including "Let Him Go (Rude Boy Get Gail)," "Dancing | | Shoes," "Jerk in Time," "Who Feels It Knows It," and "What Am I to Do" | | followed, and in all, the Wailers recorded some 70 tracks for Dodd | | before disbanding in 1966. On February 10 of that year, Marley married | | Rita Anderson, a singer in the group the Soulettes; she later enjoyed | | success as a member of the vocal trio the I-Threes. Marley then spent | | the better part of the year working in a factory in Newark, DE, the home | | of his mother since 1963. | | | | Upon returning to Jamaica that October, Marley re-formed the Wailers | | with Livingston and Tosh, releasing "Bend Down Low" on their own short- | | lived Wail 'N' Soul 'M label; at this time all three members began | | devoting themselves to the teachings of the Rastafari faith, a | | cornerstone of Marley's life and music until his death. Beginning in | | 1968, the Wailers recorded a wealth of new material for producer Danny | | Sims before teaming the following year with producer Lee "Scratch" | | Perry; backed by Perry's house band, the Upsetters, the trio cut a | | number of classics, including "My Cup," "Duppy Conqueror," "Soul | | Almighty," and "Small Axe," which fused powerful vocals, ingenious | | rhythms, and visionary production to lay the groundwork for much of the | | Jamaican music in their wake. Upsetters bassist Aston "Family Man" | | Barrett and his drummer brother Carlton soon joined the Wailers full- | | time, and in 1971 the group founded another independent label, Tuff | | Gong, releasing a handful of singles before signing to Chris Blackwell's | | Island Records a year later. | | | | 1973's Catch a Fire, the Wailers' Island debut, was the first of their | | albums released outside of Jamaica, and immediately earned worldwide | | acclaim; the follow-up, Burnin', launched the track "I Shot the | | Sheriff," a Top Ten hit for Eric Clapton in 1974. With the Wailers | | poised for stardom, however, both Livingston and Tosh quit the group to | | pursue solo careers; Marley then brought in the I-Threes, which in | | addition to Rita Marley consisted of singers Marcia Griffiths and Judy | | Mowatt. The new lineup proceeded to tour the world prior to releasing | | their 1975 breakthrough album Natty Dread, scoring their first U.K. Top | | 40 hit with the classic "No Woman, No Cry." Sellout shows at the London | | Lyceum, where Marley played to racially mixed crowds, yielded the superb | | Live! later that year, and with the success of 1976's Rastaman | | Vibration, which hit the Top Ten in the U.S., it became increasingly | | clear that his music had carved its own niche within the pop mainstream. | | | | As great as Marley's fame had grown outside of Jamaica, at home he was | | viewed as a figure of almost mystical proportions, a poet and prophet | | whose every word had the nation's collective ear. His power was | | perceived as a threat in some quarters, and on December 3, 1976, he was | | wounded in an assassination attempt; the ordeal forced Marley to leave | | Jamaica for over a year. 1977's Exodus was his biggest record to date, | | generating the hits "Jamming," "Waiting in Vain," and "One Love/People | | Get Ready"; Kaya was another smash, highlighted by the gorgeous "Is This | | Love" and "Satisfy My Soul." Another classic live date, Babylon by Bus, | | preceded the release of 1979's Survival. 1980 loomed as Marley's biggest | | year yet, kicked off by a concert in the newly liberated Zimbabwe; a | | tour of the U.S. was announced, but while jogging in New York's Central | | Park he collapsed, and it was discovered he suffered from cancer that | | had spread to his brain, lungs, and liver. Uprising was the final album | | released in Marley's lifetime - he died May 11, 1981, at age 36. | | | | Posthumous efforts including 1983's Confrontation and the best-selling | | 1984 retrospective Legend kept Marley's music alive, and his renown | | continued growing in the years following his death - even decades after | | the fact, he remains synonymous with reggae's worldwide popularity. In | | the wake of her husband's passing, Rita Marley scored a solo hit with | | "One Draw," but despite the subsequent success of the singles "Many Are | | Called" and "Play Play," by the mid-'80s she largely withdrew from | | performing to focus on raising her children. Oldest son David, better | | known as Ziggy, went on to score considerable pop success as the leader | | of the Melody Makers, a Marley family group comprised of siblings | | Cedella, Stephen, and Sharon; their 1988 single "Tomorrow People" was a | | Top 40 U.S. hit, a feat even Bob himself never accomplished. Three other | | Marley children - Damian, Julian, and Ky-Mani - pursued careers in music | | as well. | | | +----------------------------------------------------------------------------+
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